I’m not a night owl, so when I was asked to do a webinar I was gungho till I heard it would start at 7.30pm ‘backstage’ and go live at 8pm. We seniors need our rest; I’m up before 5am most days. But, the hosts were so charming and when I had the run through with Kenia Mattis on Monday, I told myself to ‘man up’ and take an even longer nap so that I would not be all droopy eyed. Well, so much for the nap and my mind was racing all over the place as Parliament opened and bits of news filtered through about the latest shenanigans in the PNP.
Anyway, we got underway as scheduled, so watch the recording and I’ll be happy to field any questions or comments on what I had to offer.
As an economist, I see the ‘financing’ a bit differently from Gary Peart and Dahlia Harris, in that I think about what support needs to be in terms of its ultimate value. So, as I tried to explain, a person seeking support for a creative venture is seeking money as a means to an end, but may find life easier being direct about getting the support for the ‘end’, say the building of a workshop. So, a supporter who’s prepared to provide materials and labour is better in that this removes a layer of negotiating to get to the real objective. That’s just to stress that those demanding support need to be nimble in seeing what opportunities present themselves and not be fixated on that support being in monetary form.
My economics training helps me understand the importance of various forms of economic integration. Much of this happens spontaneously—I mentioned last night the clustering of car component firms in the metropolitan area around Hagley Park Road. Sometimes, it needs some help from the State or other interest support groups.
I think such integration is important going forward and see glimpses of it in Jamaica is the beginnings of ‘incubating’ communities, where creative people can integrate and build synergies. I mentioned communities known for being the homes of many creative spirits, such as Greenwich Village in New York City. But, the Village is the home of many ‘fringe’ elements, and is seen as ‘counter cultural’. I’d like to think of it as Bohemian, and think of places like Notting Hill, in west London, in a similar way. But, world-wide, creativity can originate anywhere, but it sometimes needs some clustering to be better nurtured.
There’s interesting literature on ‘creative clusters’ and the idea has useful pointers for generating economic growth and urban renewal. But, it’s not all upsides and can also be trigger for socioeconomic friction (as with gentrification, in general).
One of the features in many developed societies is for such clustering to be part of the resurgence of urban areas (aka ‘gentrification’). Though not really a feature in Jamaica or many developing countries, I’m looking at what groups like Jamaica Creatives are doing in downtown Kingston to see if it is planting such ‘green shoots’. The government now has a Cabinet minister in charge of urban renewal, so let’s see what he brings to the table.
That said, Jamaica’s cultural heritage is national and its rural roots and underpinning are as important and anything that happens in the capital and the metropolitan area.